Eunyoung Park’s paintings are like SparkNotes on the meaning of life.

When the ceramist Jong Sook Kang first came to New York in 1994, two visual experiences —two shocks, really—suddenly imprinted themselves on her mind, at both a conscious and subconscious level. 

Comprising a score of new works, “Psychological Scenery: Homage to Tree Soul” highlights Wheiza Kim’s longstanding—and somewhat conflicted—spiritual quest.